Author Archives: Alan

Further bug-bears.. (iTunes Match again, folks!)

Further limitation of iTunes Match which will hopefully undergo a rethink as Apple update and evolve the admittedly fledgeling service.  Users of iTunes and space-precious iDevices will probably be familiar with the handy setting of ‘convert higher bitrate songs to 128kbps’.  It allows for you to maximise the limited storage on your iPhone or iPod without compromising your local library.

Unfortunately a similar consideration isn’t made for iCloud – it would seem relatively easy to me for there to be a similar option; alas no.  Of course, there is also the option to modify your outlook with your iOS gizmo of choice – have a tighter ‘permanent’ selection of music and download/delete peripheral things as and when you require them (WiFi or 3G connection willing, of course).

I would, however, have preferred the best-of-both-worlds solution – even if it means relying on syncing to a local library to ‘get at’ lower bit-rates, but you can ‘top up’ from iCloud on the go, the ideal solution being that iCloud should offer the functionality AS WELL as being able to dual-manage via iTunes should you wish, after all, it’s less faff than downloading everything from the cloud when you’re sat next to your library stored locally.

It seems odd to me that on MacOS you can have whatever locally store files you like, but are not afforded the same privilege on an iOS platform.

Another buglet (actually, a considerable bug) I had noticed is on my iPhone if I shuffle a playlist occasionally tracks will skip without playing, and worse-still the ‘next’ track will play without advancing the artwork or details – so in effect playing the wrong song (or displaying the wrong information, depending on your point of view).  It would appear both these phenomena have been observed elsewhere and whilst not openly acknowledged by Apple are thought to be included in their list of things to resolve with their next release of updates.

I must admit that iTunes Match has proven rather below the usual standard of new experiences with an Apple product – difficult to enable (as previous posts will testify!), a little inflexible in options and, well, buggy!  The woes of the early-adopter, eh?  Maybe I should resist the urge to jump onto bandwagons until a few others feel the urge to chronicle the potential pitfalls as I have.

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Look at my hopes, look at my dreams.. the currency we spent..

I’ve found telly more and more unsettling lately – having a bonus week away from the office saw me drawn occasionally into the murky world of daytime TV.  A trip to see my granny exposed me to the horror that is ‘Dickinson’s Real Deals’ whilst occasionally the likes of ‘Deal or No Deal’ find their way on to the telly, indeed, Channel 4’s latest quiz offering ‘The Bank Job’ is currently reaching its’ grand finalé as I type and I’ve found it strangely compelling.

The unsettling part was reflecting on just how much telly is basically brazenly exploiting the hopes and dreams of people – Deal or No Deal is the worst, as Noel Edmonds gladly leads his 25 contestants into a game of superstition, sob stories and daring to hope by coaxing ‘what you’d do with life-changing money’ type tales just as a contestant spunks away a golden opportunity of taking home a nice chunk of cash because there’s still the possibility of more.  That’s before you even get into the plethora of reality type shows or ‘talent’ shows that I suppose trade on the same things.

Has it always been like that?  Are we really entertained by seeing people tantalised by the promise of a ‘life-changing’ event or sum of cash, more often than not only to have it taken from them.  I guess when it’s a genuine competition of knowledge or skill it’s a bit less distasteful, but when it’s randomly choosing a box it’s a glorified lottery played out for the gratification of the millions.  I intensely dislike the fact I occasionally find these things compelling viewing, I could absolve myself a little if I were enjoying the potential positive benefit – but that’s not always the case!

It’s a strange world we live in where this carrot-dangling-in-exchange-for-prime-time-tomfoolery is considered entertainment, if you really think about it.  A random thing to write about, but something that’s been idly pulsating around my mind – at least I didn’t write about iTunes Match for a change!  On the bright side, the lass from Derby just went out of ‘The Bank Job’ in the first round of the final, and I must confess I’ve entered three separate competitions on the ITV website this week – so I’m not immune either.

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Coverflow and iTunes Match..

Sorry, I know, iTunes Match overkill, but CoverFlow is pretty – and it doesn’t seem to play quite right with iTunes Match yet.

A fairly trivial thing I noticed that doesn’t really have much use to anyone – but since I just had a quick Google to validate my findings it doesn’t seem widely mentioned.  The great thing, of course, about iTunes Match is that your whole library is there on your iDevice at least in a reference sense.

If there’s something you don’t have to hand, rather than impatiently wait for your next sync you can download it on the spot -and you can tell what those things are because there’s a handy download button next to ’em, right?

Unless you’re looking at coverflow.  I’ll be honest, I don’t generally use coverflow aside from either just casually admiring my beautiful artwork (see previous blog post – I already know I’m a hopeless case) or sometimes maybe if encouraging others of the wonders of the iPhone – because, let’s face it, it’s not the most practical view in the world, but it is the most tactile and pretty.

However, it makes it seems as though your whole library is literally at your fingertips without any need for data transfer, see the example below:

So, even though I know that of the tracks on the screen, only ‘Goin’ Down to Mexico’ is actually present on my iPhone, they’re all presented as available.  Should I tap on ‘Brown Sugar’ though, it will download and play as soon as there’s enough data to play with.  Which is fine if I want it to do that – if I didn’t, due to data allowances or similar, there’s no indication at all that it needs to go to iCloud to get that track for me.

Fair minor quibble, in truth, but a quibble nonetheless!  I promise to write about something other than iTunes Match in my next blog post.

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iTunes match – making album artwork play ball…

I’m not sure how many people are as anal as me about their iTunes libraries – in particular, there is something that quakes me to my very core if I know some tracks don’t have album artwork.  Using my iPhone in the car as a music player I’ve been known to pull over to make a note of errant tracks to fix when I get home.  Probably a bit of OCD or something, who knows?

So imagine my horror when my painstakingly constructed library, once gone through iTunes Match (see earlier post for this particular pain!) arbitrarily seemed to select random albums for which it wouldn’t display the artwork on my iPad or iPhone – despite there clearly being artwork present in iTunes.  It didn’t seem to matter whether they were Matched or Uploaded tracks – and by god it was infuriating me.

It turns out it’s quite easy to fix – iTunes Match seems to play not-nicely with tracks where you’ve downloaded the Artwork.  Which probably demands a further explanation – your artwork is either stored locally on your computer when iTunes downloads it (you know, that hugely tempting ‘Get Artwork’ option that absolves you of responsibility?), or, your artwork can be embedded within your MP3/AAC/MP4/AIFF files – the benefit of which being the artwork goes with the file outside of iTunes.

During a traditional sync with an iOS device your artwork is synced to, irrespective of whether it’s embedded in the file or stored locally and indexed in iTunes.  So I never really gave it much thought, if I could get iTunes to do the hard work and find all my artwork for me then all the better.  This isn’t the case for iTunes Match – every missing album artwork issue was with those where artwork was downloaded rather than embedded.  I couldn’t say whether or not every downloaded piece of artwork failed – however – as there’s no obvious way to differentiate between the two without a lot of hassle.

However, if you have a few albums missing artwork then select a track – copy the artwork to your clipboard, select the whole album, option-click (Mac) or right-click (Windows) and select ‘Clear Downloaded Artwork’ – you’ll see the preview pane revert to the dreaded no-artwork icon.  Now option-click (Mac) or right-click (Windows) over the artwork preview pane and choose ‘Paste’ – this will embed the artwork in the music files you have selected.

If you’ve got loads, and have a Mac, then check out this AppleScript – it will move through your library for you and for those tracks where the artwork is not embedded – it will go through the process for you.  I struggled to make it work on my whole library but it seems to work well on smaller selections.

Don’t expect an instant update on your iOS devices either – it seems to take an arbitrary amount of time for the changes to catch up through iCloud and make everything appear as it should.  Having just gone through the pain-in-the-arse process of scrolling through my iPad’s album view in the Music app to find the problem albums, I think I’ve finally sorted mine out.  It won’t make any tangible difference to how everything works, but it will at least momentarily silence the OCD demons that had been irked by this.

I now have the uncomfortable wait until that blessed moment when I tap on a music-symbol album and out again, to be greeted by the correct artwork being downloaded!

If anyone knows why the Artist view on iPad arbitrarily seems to not display artwork for some artists (even if they have only one album in your library) and will for others (who may have multiple albums or just one), then I’d be very interested to learn of any fixes!  I suspect it’s just something that might get addressed in the next iOS and/or iTunes updates.  Ho hum!

Categories: Blog, iPhone / iPad / Mac | 12 Comments

iTunes Match-maker..

I was quite excited by iTunes Match.  A kind gift of iTunes vouchers from Cat’s parents and I invested – the idea of being able to ‘upgrade’ music matched with the iTunes database to 256kbps versions was appealing – as well as having a centralised store of my music in ‘The Cloud’ so to speak.

It’s not been exactly the kind of easy experience it might’ve been.  I expected some complications.  The legacy of me being eager to save space on devices in the past (including my old laptop) before I centralised my iTunes library was that most of my music, whilst quite well tagged, was encoded to a low bit-rate of just 112kbps.  This is fine for my non-audiophile ears and means I get more music on my iDevices – but the matching process had some issues with it.

Ostensibly the process occurs in three steps – although these steps can take literally days depending on the size of your library (and speed of Internet connection of course).  The first step analyses your music, the second attempts to match with music available in the iTunes store, the third will upload anything not present in the store along with artwork etc.  Given the amount of bootlegs and reasonably obscure music I have there was quite a lot of uploading to do.

After the first attempt around 20% of my library was match or uploaded – the rest was ‘waiting’ or ‘error’ – these seem to be interchangeable at times depending on the mood iTunes is in.  I tested a couple of albums by re-encoding them, using iTunes, to 256kbps AAC files and re-sending them to iTunes Match – it worked.  These examples matched where they’d failed before.  Leaving me with about 12,000 more songs I needed to ‘increase’ the bit-rate for to allow iTunes Match to consider playing with them.  That’s a lot of tracks.

I decided to get a bit brutal with my library – as I suspected, there’s a lot of stuff in there downloaded on a whim that I’ve not really listened to – so I managed to have a good prune.  Then selected all the unmatched/unuploaded songs in my Library and hit the ‘convert to AAC’ option in the menu.  Then waited.  A long time.  It took a little over a full day of churning through for my poor Macbook to get through this process, I decided to leave it to it and switch to my iPad for my computer needs for the duration – that way upon completion I could just tap delete. I checked the ‘remove from iCloud’ box, clicked delete files and then was left with a Library either matched, uploaded or 256kbps.

Then I contemplated how broken my playlists were now! Argh!

Anyway, now I selected all my new tracks and selected the option to add to iCloud, then from the Store option in the menu selected ‘Update iTunes Match’ – and now we wait.  This took ages too.  Proper ages.  Eventually it had matched a further 6,000 or so songs, and dutifully uploaded the remaining 4,000 without issue – so now my whole library is available in iTunes match.  After many hours of faffing, waiting and eventually rebuilding my playlists.

So, if you have low bit-rate files that won’t play with iTunes Match there’s a fairly simple process to go through:

  • Convert them to 256kbps AAC files in iTunes (I deleted the originals, whether you do this is up to you!)
  • Add them to iCloud in iTunes (cmd click whilst they’re selected in iTunes)
  • Store Menu – Update iTunes Match

Such a simple list – such a long time it will take if your library is a fairly hefty size.  Upon picking up my iPad having been at the City Ground enduring Forest’s latest pathetic offering, it seems to be working how it should be – the tracks already on there are supplemented by things it could have on it at the push of a button.  I don’t like the music player app on the iPad as it is, and so far it doesn’t seem to happy with me just selecting ‘download all’ for a particular playlist.

My iPhone meanwhile, which has been out and about with me today of course, seems mightily confused about what it can and can’t do – I’ve decided to, having wiped the music from it before starting for a ‘clean start’ decided to disable Match on the device, sync the music back as it was before and then enable Match.  I think that’s for the best.

All in all, I’d say the process has mostly been a complete and utter ballache – however, my music is now either ‘matched’ with iTunes or backed up to their servers for those tracks that it couldn’t match – and future music I add to my library will undergo this process to, and that’s a good thing for sure, and for £21 a year – pretty bargainous really.  Once they iron out the niggles with iOS devices (I’m most perturbed about the album artwork situation for example!) then it will be excellent.  As is the norm for early adoption of such things though, there is teething trouble.

Hopefully amongst my waffle there’s been some useful nuggets for someone out there trying to get to grips with iTunes Match.

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It was Christmas Eve, babe..

“What time is it, Mum?” I’m sure I must have asked with irritating frequency.
“About five minutes after the last time you asked?” a patient answer would probably return.
“What time are we going?” a change of tack, cunning.
“Not for a few hours yet!”

It was torture for a young’un still steeped in a level of selfishness and desire for instant gratification perfectly natural for the age.  Coupled with me having a brother probably mithering and hassling to the same degree, unaware of the not inconsiderable preparations underway in terms of preparing the next days dinner, not to mention the shifting of presents (possibly the wrapping of them too), the coaxing of the guinea pigs to nibble on the carrot left out for Rudolph and friends.  No, blissfully unaware, we wanted to go out.

When I look back at it like this, it becomes all too clear why my parents introduced an ‘early present for Christmas Eve’ policy, presumably to try to provide a suitable distraction to us whilst we awaited the moment when we finally got to leave the house.  Remember that as a child particularly time drags sooooo much when you’re looking forward to something, much more so than the sickly John Lewis advert will have you believe.  An hour seemed liked an age – a few? Well it might as well have been days.  A strategically given toy car or similar was probably a genius ploy to at least confine our waiting to some kind of playful productivity.

That was our routine for Christmas Eve – and it’s easy to rose-tintify the past when you look back, but it was magic – and if I try to describe it, it won’t seem it.  We used to go to our friends John and Andrea’s house for a party in their basement bar – we’d eat, listen to music (usually music that Rich and I didn’t like), as children we’d make ‘cocktails’ out of a mixture of different soft drinks, sometimes adorned with miniature umbrellas, novelty stirrers and straws – one year we hit the jackpot by finding a cache of mini sparklers to add some real pizzazz to our creations.

There’d always be a gigantic Christmas Cracker that I can remember Rich and I pulling with Alan, John and Andrea’s son, I can remember John sneaking to the stairs outside adjacent to the bar and simulating sleigh bells (not that we knew it was John at the time, of course!) to ease our departure to make sure we got to bed before Santa arrived at home.  As we advanced to adulthood I spurned developing traditions of going to the pub near our school to be with family and friends – and don’t regret it for a minute.  Naive mixed cocktails would graduate to alcohol, I probably went to some as a smoker, others with a girlfriend – but would never want to miss it.

One year when John and Andrea spent Christmas in South Africa I joined my friends in the pub instead – it was nice, we were into our second or third year of university and it was a nice reunion of sorts – I genuinely enjoyed myself, but it wasn’t quite the same.  It was good to have normal service renewed the following year.

Since John passed away the routine has been understandably broken – Andrea spends Christmas with family in Luton and, in truth, I have generally spent Christmas Eve without any particular plans and feeling rather out of sorts – so it’s quite sad but I’m actually really quite pleased to have something to look forward to this Christmas Eve.  Rich and Em have just moved into their new house and decided to have a couple of casual nights of drinks last night and tonight – I’ve opted for tonight, because whilst perhaps (no offence Rich) it doesn’t give the buzz of those childhood anticipations, it gives something to look forward to.

I’m such a maudlin sod.  However, have a very Merry Christmas and a Happy New Year – and perhaps be a little more receptive to the inevitable march of time and that in life things will change, and perhaps allow for the fact that sometimes those changes might just be for the better.  And of course, appreciate the good times whilst they’re there, too!

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Greed is for amateurs. Disorder, chaos, anarchy: now that’s fun!

"You'd better hope and pray that you wake one day in your own world..."

Hmm, this intent to blog more often isn’t going so well.  Christmas is very nearly upon us – in truth, I’ve been pretty well prepared for ages anyway – so no last minute stressing for me.  Which is lucky as much of this week was taken out by illness – still feeling drained now, but glad to have had a chance to get into work before the festivities commence to leave the office with a clean slate – and obviously recover sufficiently to enjoy assorted celebrations too.

Speaking of celebrations, our work Christmas party was last week – as ever my esteemed colleagues didn’t let us down with a fine selection of finery on our fancy dress theme of ‘famous dead people’.  I elected to go as Brandon Lee, admittedly because I seem to have developed a penchant for white-and-black make-up based dressing up with Alice Cooper, Paul Stanley and now The Crow in my repertoire.  I was pleased with the result, even if I also looked a bit like the scary one from Shakespeare’s Sister (thanks for that spot, Mike!).  Amusingly one colleague arrived dressed as Bruce Lee, who is, of course, Brandon’s dad.

Forest have been continuing their desperate quest to not only reach the bottom of the barrel, not simply scrape the bottom of it, but to drill right through and strike out for the other side of the planet.  Frustrating, for sure.  That said, the subsequent lack of impetus to invest quite so much time in following the Reds away from home has saved me a bit of cash!  Always a winner.

Probably the highlight of the month so far though (our work party was close, but not close enough!) was seeing Rolf Harris at the Royal Concert Hall in Nottingham.  Having got a few of his live recordings, it’s amazing that he’s basically been doing a very similar set (including patter and jokes!) for about 40 years, but it’s still an engaging act – indeed, three generations of my family were there on the front row to enjoy a true entertainer strutting his stuff.  Better still my mate Alex, one of the didgeridoodling four from last year, loitered at the stage door and had his instrument (fnar) signed by Rolf.

I’m now off work ’til the 9th January which I’m quite pleased about – I could do with a rest, frankly, so don’t have masses of plans!  So, season’s greetings to all you fine folk, may you have a splendid Christmas and a prosperous new year – and I’ll leave you with this rather tremendous video of Rolf doing what he does best!

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Bully grief and trips (down memory lane)…

I was only thinking about bullying the other day, and pondering a blog post about it, and then that awful news regarding a young girl locally deciding to take her life amidst suggestions that playground abuse might’ve been the cause.  It’s spooky when that happens, and I honestly can’t recall the reason the subject popped into my head prior to hearing the news bulletin.

At our primary school there was a girl in our year who endured a torrid time along these lines, and to my shame when I think of it whilst I wasn’t particularly enamoured by such antics I suppose I was complicit in my negligence to stand up to it from my peers and friends.  Of course, at that age – between 8 and 11 or so – you are incredibly influenced by peer pressure and acceptance – one being singled out by a baying mob ensures negative attention isn’t bestowed upon you.  I suppose in some ways we retain more subtle machinations along these lines into adult life.

So what is the purpose of writing about it?  I’m not sure really.  Catharsis?  Residual guilty feelings from all those years ago?  A reminder that whilst I’m feeling this way now, some twenty-plus years on – imagine how those kids in the class of the girl in the news must be feeling, wondering whether they are responsible or not for the straw that broke the back of the camel.  There will be those who contributed more directly, those that stood by and let it happen – there but for the stronger mental fortitude of the girl in my class at school could go I and my old schoolmates.

It makes you think, doesn’t it?  Well, it makes me think.  I like to think that I like to generally treat people kindly and follow the old adage of doing unto them as you would have them do to you and all that; but perhaps we could all take a little time out to do better.  It is the season of goodwill, after all.  Should it really be confined to a season?

Bonus points if you spot the clumsy pun in the headline!

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Piper’s Mountain.. a reprise..

Download Piper’s Mountain in PDF Format

I mentioned rediscovering this slightly sinister music book from my Primary School a few weeks back.  Along with these reminisces I dangled the carrot of scanning and uploading the songbook rather than just posting the lyrics to the song in particular that had been nagging away at my subconscious.

Well, thanks to me finally getting over my habitual procrastination (and thanks to the excellent Genius Scan app on my iPhone) I have finally gotten around to it.  So I’ve made a PDF file containing the whole songbook, which I’ve uploaded to this Rapidshare location.

You can tell I was a child of Thatcher’s Britain – the whole premise of the songbook is clearly designed to gear up a generation of children to not want anything much from life!

Now who can remember the one involving a song competition where the hero of the piece fooled the baddy (who was trying to copy his song) by creating a spoof song about a Blackbird?  C’mon… somebody else in the world must remember it!!

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A ménagerie à trois..

Nights like last night make me marvel that people at large will gladly elevate the turgid and passionless shit that fills the charts whilst ignore things on their doorstep that are, well, better.

A gig featuring 3 Daft Monkeys, along with support from 3 Eyed Fox and Ferocious Dog – hence the blog title, not just a reference to the three primate headliners, but three bands all featuring animal references!

It was the headline act speaking about their new single and the difficulty in getting national airplay because it ‘wasn’t mainstream enough’ – last time I checked mainstream music was mostly absolute shit.  Personally I don’t see why, if exposed to it, some good honest creative folk inspired music like theirs shouldn’t appeal to a wider audience than it is currently able to reach.

3 Eyed Fox got off to a great start by covering the Levs, the relatively obscure ‘Red Sun Burns’ too.  A three piece featuring guitar, fiddle and lead vocals – really enjoyable, I wasn’t aware they were playing ’til the night itself so I hadn’t got myself into position to record any vids, but they did have a dutiful friend camcordering the whole gig so I imagine they’ll surface on YouTube soon enough!

Whilst I was bang up for seeing the headline act, having not seen them live before (but possess quite a bit of their recorded material) it was really Ferocious Dog who were the reason for me going.  By god they didn’t disappoint.  The smaller venue than I’d seen them in before and the vantage spot I found at the back of the dancefloor gave me a great view of both the stage and carnage unfurling infront of me.

I have uploaded lots of videos of both Ferocious Dog and the headliners, but it seems only fair to embed their opener which they kindly dedicated to Linda who couldn’t make the gig (her ticket clearly cursed, as the friend I had given it to was also stricken by illness so it remained unused despite attempts to find a home for it yesterday), one of their newer songs called Lyla:

The stage is perhaps a little on the small side for a band of six – but they squeezed on and didn’t bang into one another so perhaps not.  The more intimate sized venue worked really well though.  Check out the mosh-fest to Mairi’s Wedding pt II:

Then on to the headline act – 3 Daft Monkeys (there are four of them with the addition of percussion) feature a twelve-string guitar, a fiddle, a bass and percussion – and they were bloody awesome too.  I like their recorded stuff a lot, but live it just comes to life in a way that is difficult to describe.

The relatively ‘rooted’ stance of Tim Ashton on the twelve-string and lead vocals is juxtaposed by the always-in-motion and incredibly-expressive impish figure of Athene Roberts on fiddle and vocals.  Lukas Drinkwater manages to put across a ‘cheeky chappy’ image from the depths of the stage whilst poor Richie Mulryne is mostly hidden at the back playing a range of percussion with his hands (and feet in the case of the kick drums).

It’s an incredibly engaging live performance and delivers a lot more oomph than comes across on their albums.  A lot of the crowd were in for Ferocious Dog but they stayed with it and really added to a tumultuous atmosphere throughout the headline act too – and they seemed to genuinely appreciate the enthusiasm of the local crowd.  Hopefully that means they feel compelled to play here again soon, as I’d definitely go to see them again.

The highlight for me was the playing of current single ‘Days of the Dance’, which alas I didn’t manage to get a recording of (but you should buy the single, regardless – for 79p you’d struggle to find something better value!).  However, a close second was the excellent Social Vertigo which I did capture – and starts to show how performance and the crowd blend into an amorphous whole.  It also introduces the term ‘a Nottingham fuck up’ which I thought was the preserve of the football team in Red from the area!

Should you happen upon 3 Eyed Fox, Ferocious Dog or 3 Daft Monkeys on your local listings then you could do a lot worse than to give them a listen!

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