It’s the classic ice-breaker question as you wind down from a week at work, certainly it’s a popular one in my team. Last weekend I was asked it and it made me chuckle as the dialogue was unerringly common..
Colleague: “Any plans this weekend, Al?”
Me: “Just the footy, and a couple of gigs lined up”
Colleague: “I bet you’re off to see bands nobody has heard of again!”
That’s no intended criticism of my colleague – but underlines a worryingly prevailing attitude. As it happens, that weekend I was off to see 3 Daft Monkeys on the Friday night, and on the Saturday a line-up of six acts including Red Jester, Seven Little Sisters, Raynor Jackson and Brad Dear. All these acts are great live performers.
It’s reasonable to assume that a reasonable chunk of readers probably hadn’t heard of any of them – and that’s a real shame, because I refuse to believe that those same people wouldn’t have a much better time checking out these or other local talent rather than sitting in watching X-Factor or Strictly or whatever other turgid televisual detritus that is currently running through the mainstream channels.
So, to return to the 3 Daft Monkeys. They’re currently out on tour promoting their album which was released yesterday. I’ve seen the ‘Monkeys a few times, and they’re one of the most engaging live performers I’ve seen – and it flabbergasts me that they aren’t more well known because they’re such good fun to watch.
More than any other act I’ve seen they’re the personification of a band who thrive on the energy they get from the crowd. As the irresistible urge to dance (even when sober, as I was) kicks in as the music plays you can palpably appreciate the energy exchange from mosh-pit to stage. This is wonderfully cyclical because the crowd get the band’s energy up, and this is magnified right back at the crowd leading to an inevitable frenzy of good times (or perhaps civilised debauchery?).
As well as playing their existing well known songs – personal highlights for me including One Fine Day, Social Vertigo, Days of the Dance and – probably my favourite – The Antiquated and the Arcane (which was a tease as they left it for the encore!) – there were four or five new songs from the soon-to-be-released album slipped in, all of which didn’t see a stutter from the crowd who continued like a whirling dervish to sway and bounce to the rhythm of the four conductors on the stage.
Fast forward a week and the album popped through the letterbox – it only cost a tenner, it was signed by the band too – and it’s a lovely and lively record. Musical renditions of old Cornish folk tales it is not only musically pleasing but lyrically fascinating, as I listen more I’m sure I’ll be googling for some of the back stories the songs cover. Indeed, from their last album I even ended up buying a book about the dancing plague of Strasbourg.
The thing I like best about the album is that it doesn’t simply seek to replicate the boisterous live experience you get with the Monkeys, you get more of the story-telling and the different tempos that started to appear in their previous album The Antiquated and the Arcane (which I also heartily recommend). I’ve only had a couple of listens so far and am already captivated, and looking forward to getting to know the songs better and reading up about the stories that inspired them.
So next time somebody recommends a band you’ve never heard of, why not open your mind and go along – such gigs usually only cost a few quid to get into, and I don’t believe it’s blind luck that more often than not I end up finding acts that are enchanting, beguiling and inspiring – and not least that I end up meeting great folks who put me on to further talented artists – and so the cycle goes on…